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Outtakes essays on queer theory and film

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This collection brings together the work of both film scholars and queer theorists to advance a more sophisticated notion of queer film criticism. Divided into three sections, the first part reconsiders the construction of masculinity and male homoerotic desire—especially with respect to the role of women—in classic cinema of the s and s. The second section offers a deconstructive consideration of lesbian film spectatorship and lesbian representation. Part three looks at the historical trajectory of independent queer cinema, including works by H. By exploring new approaches to the study of sexuality in film, Out Takes will be useful to scholars in gay and lesbian studies, queer theory, and cinema studies. The contributions retain the best aspects of queer theory's appealing revision of the past, revealing examination of the present and weather eye on the future.

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Divided into three sections, the first part reconsiders the construction of masculinity and male homoerotic desire—especially with respect to the role of women—in classic cinema of the s and s. The second section offers a deconstructive consideration of lesbian film spectatorship and lesbian representation. Part three looks at the historical trajectory of independent queer cinema, including works by H. By exploring new approaches to the study of sexuality in film, Out Takes will be useful to scholars in gay and lesbian studies, queer theory, and cinema studies. Account Options Sign in. Conseguir libro impreso. Duke University Press Buscar en una biblioteca Todos los vendedores ».

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Divided into three sections, the first part reconsiders the construction of masculinity and male homoerotic desire-especially with respect to the role of women-in classic cinema of the s and s. The second section offers a deconstructive consideration of lesbian film spectatorship and lesbian representation. Part three looks at the historical trajectory of independent queer cinema, including works by H.
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