Why i am not a painter essay

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He wrote it after a series of visits to his friend Michael Goldberg, the American abstract expressionist painter. I am not a painter, I am a poet. I think I would rather be a painter, but I am not. I drop in. I drink; we drink. I look up.
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Mike Goldberg's Why I Am Not A Painter

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David Lehman on "Why I Am Not a Painter" | Modern American Poetry

The poem reflects upon the creative process. A casual moment in the life of artists, to address different types of art: poetry and painting, with a certain irony and bohemian glamour, the medium is the difference - words and paint It is about the importance of not having a subject. The subject doesn't matter. That's straight out of Abstract Expressionism. The original inspiration for the painting ultimately called Sardines is preserved only in the title of Mike Goldberg's work, because paintings are made of paint, not words, and the process of painting may erase any of the artist's preconceptions. And since poems are made of words, not ideas or colors, the orange that incited O'Hara exists only as the title of his work.
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If I were a Painter Essay (1013 Words)

Morton D. Rich is an associate professor of English atMontclair State University who teaches a variety of courses in writing and contemporary literature. In the following essay, Rich describes "Why I Am Not a Painter " as O 'Hara 's definition of a poet and his or her art and discusses how the poem portrays the differences between the work of a poet and a painter. It is O'Hara presenting incidents and thoughts of his daily life.
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David Caplan is a doctoral candidate at the University of Virginia, writing a dissertation on contemporary poetry and poetic form. In the following essay, he considers how O 'Hara 's poem relates to other poems about paintings and questions the relationship it establishes with the reader. From the Greek word for "description," this category includes poems that describe other works of art. This tradition dates to classical antiquity; the most famous articulation of its guiding principle remains Horace's dictum, "ut pictora poesis": "as a painting, so a poem.
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